Max Ernst
( German, 1891 - 1976 )

Currently featuring 3 works, please scroll down.





Sign for a School for Pirates, 1965
Inventory # 51565
Photolithograph reproducing the right half of a 1958 painting by Max Ernst entitled "Diptychon für eine Piratenschule," printed in six colors on BFK Rives paper. Titled on the stone lower left. Hand signed by the artist in pencil "Max Ernst", lower right. Numbered in pencil "50/250", lower left. Printed by Mourlot Frères, Paris. Published by Galerie Lucie Weill, Paris. In excellent condition, framed with museum quality conservation materials.

Image size: 23 5/8" x 19 1/4", Sheet size: 28 7/8" x 21 7/16": Framed: 37" x 32"
Catalogue reference: Spies/Leppien A12


German artist, Max Ernst, served in the army for his country only to return home from the First World War disillusioned by the atrocities of the war and the barbarism of society. He began to see logic and reason as the two leading factors that caused the conflict, and adopted ideas of anarchy and irrationality instead. In 1920, he and Hans Arp began the Cologne Dada group, radically protesting against the values of the bourgeoisie that he felt were responsible for the war. Ernst was then invited to France by the head of the Parisian Surrealist group, André Breton. While living in Paris, he befriended Tristan Tzara and became one of the leading members of the Surrealists until he left the movement in 1938. Ernst was then interned in a French prison camp in 1939 on the accusation of spying. Upon his escape, he moved to New York City in 1941 and married the famous art collector, Peggy Guggenheim. In 1946 he moved to Arizona with Dorothea Tanning. Max Ernst then sailed from New Orleans to Europe in 1949, and lived in Europe as a French citizen from 1958 on.

Ernst’s painting, Sign for a School for Pirates, demonstrates his preoccupation with a disintegrated world, and his concern with the human condition as it relates to separation, loss, and reconstruction. The solitary central figure, the predominant use of blues, the geometric shapes and unsightly figures found in the lithograph, Sign for a School for Pirates, express the driving forces of the psyche, which the Ernst constantly tried to explore in his works.








Étoile de Mer, 1950
( Starfish )

Inventory # 51293
Original lithograph in colors. Printed by Desjubert, Paris. Published by Guilde de la Gravure. In very good condition, framed with museum quality conservation materials.

Image: 16 1/2" x 10 1/2", sheet size: 17" x 10 3/4", framed: 28 1/2" x 21 5/8"
Catalogue reference: Spies/Lieppen 47; Hugues/Poupard 338; Rossier/Goerg 34; Brusberg/Völker 64

This piece was also called "Deux Personnages au Bord de la Mer" (Two Individuals on the Seashore) and "Deux Figures Humaines" (Two Human Figures).








Shoot the Moon, 1972

Inventory # IE009
Original lithograph printed in blue ink on Japon paper with 1/2 inch margins and deckled edges. Signed in pencil, lower right; "Max Ernst." An impression from the publisher's proofs, numbered in pencil, lower left; H.C. V/XIX. Plate XXII from "The Ballad of the Soldier," a set of 34 original lithographs. In very good condition, currently unframed.

Sheet size: 15" x 11 1/4"
Catalogue reference: Spies/Lepien 218

 
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