Henry Moore
( English, 1898 - 1986 )

Currently featuring 2 works, please scroll down.




Thirteen Standing Figures, 1958

Inventory # 51471
Original lithograph printed on English handmade wove paper. Hand signed and dated by the artist in pencil "Moore 58", lower right. Numbered in pencil "48/150", lower left. Printed by Curwin Prints London. Published by George Rainbird, London & NY Graphic Society Greenwich, CT. "Henry Moore" watermark, lower right. From the book entitled "Heads Figures and Ideas".

Image: 12" x 9 3/4", sheet: 18 1/4" x 12 1/2"
Catalogue reference: Cramer 41

Henry Moore was born in 1898 in Yorkshire, England. He found inspiration in ancient Pre-Colombian, African, and Etruscan sculpture. Moore believed these works possessed a "power of expression" which was deeper and more vital than the "beauty of expression" exhibited by classical Greek and Roman work. The power and style of these ancient arts inspired his sculptural and corporeal approach to printmaking.

Moore often worked using the human figure, exploring the physicality of the human body through abstraction and his unique style. In this image, he breaks down form using lines that recall tribal writing and ancient art. The use of multicolored layers of line further fractures the solidarity of the figure.









Sculptures, Dark Interior, 1973

Inventory # 51456
Original lithograph printed in seven colors (black, grey-black, light grey, red-black, black-brown, light buff) on T. H. Saunders wove paper. Hand signed by the artist in pencil, lower right. Numbered "74/75" in pencil, lower left (there were 15 additional impressions designated artist's proofs and numbered in roman numerals). Published and printed by Curwen Prints, Ltd., London. In excellent condition, framed with conservation materials.

Image: 9 15/16" x 13 3/8", sheet: 16 7/8" x 20 3/8"
Catalogue reference: Cramer 373

The subject of "mother and child" was a self-proclaimed obsession for Moore and appeared frequently in his later works. When dealing with this subject Moore captures the intimate relationship of mother and child by the short distance between their bodies and the delicacy and familiarity of their touch.


Almost all of Moore's life drawings are of women in relaxed standing or seated positions. Unlike Degas and Rodin, Moore was not interested in portraying figures in motion. Nor did he draw women in erotic or foreshortened poses like Klimt or Schiele.


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